Showing posts with label France. Show all posts
Showing posts with label France. Show all posts

Tuesday, March 26, 2019

Steinbeck's Short but Effective Novel of The Resistance - The Moon is Down


I admit that I am not a great fan of the 20th Century American novel, though it turns out in retrospect  that my educational exposure to Steinbeck included The Pearl, Of Mice and Men, The Grapes of Wrath, and Cannery Row.  In more recent years I have come to appreciate his non-fiction work and especially his journalistic reports during World War Two, collected in Once There Was a War.

This Penguin Twentieth-Century Classics edition of John Steinbeck’s World War Two resistance novel includes a very informative 18 page introduction by Donald V. Coers, Professor of English and scholar of Steinbeck’s body of work.  Also included are more than three pages of suggested further reading.

This introduction recounts how Steinbeck worked with the U.S. Office of Coordinator of Information and “Wild” Bill Donovan’s Office of Strategic Services (OSS) to support the Allied war effort.  Steinbeck’s work in that regard brought him into contact with displaced citizens and refugees from a number of European nations then under Nazi occupation.

In late 1941, Steinbeck conceived the idea for a short novel about the experience of being invaded and occupied.  Reworking a first draft that was set in America, he published this final version as The Moon is Down in March, 1942.  It was soon staged on Broadway and in 1943 a film version premiered.  Critical reaction was varied and often quite strongly negative.  However, according to Professor Coer’s account, this short novel was well received in the afore-mentioned communities of wartime exiles.  Their positive response led to the text being smuggled into Occupied Europe.  In Norway, Denmark, the Netherlands, France, and eventually China, clandestinely translated, printed or mimeographed editions were distributed by underground resistance organizations and became a strong element in pro-Allied propaganda campaigns.  Nazi occupation forces banned the book (even in Germany) but copies were actually for sale in several countries as a fund-raising effort by the resistance.

The story itself is told simply in neat, clean prose.  The events of invasion, occupation, etc., are narrated without benefit of Hollywood style drama.  Neither the occupied nor the occupiers are ever identified by nationality or geographic location.  The action is set almost entirely in and around a small simple town, with the sea on one side and farmland surrounding it on land.  The reader is introduced by name to the individual citizens and soldiers interacting in this small drama, but we are offered no information about the larger world and larger war beyond the victory of the occupiers.  The story is thus embodied at a very personal scale as each individual is presented with choices and makes decisions about how to react in this new situation.

I think Steinbeck’s choices in this work explain why it had such a popular response in so many different occupied countries.  It is a story in many ways still relevant today in a world still marred by armed violence that crosses borders and reaches even into peoples’ homes.

Wednesday, January 29, 2014

A Toast to the Bards



Pete Seeger has been there as long as I can remember, like that cousin or uncle who lived somewhere else but would show up from time to time – often rather unexpectedly but always welcome in the end even if sometimes you had to first recover from the surprise.  He seems to have even then been well-established as the paterfamilias of the folk scene that was still around as I became musically aware back in the 1960s and the bonds are still there to be seen if you look just a little bit.  I went to see Inside Llewyn Davis recently and it was a trip back in time.  I also realized that I need to clean up my MP3 player and set up a good folk music playlist.

But the bond I didn’t recognize until it hit me between the eyes as I read through the various print and online articles about our lost troubadour is that he came by it honestly and his reach goes back even beyond his own lifetime.  Almost ironically as we ponder this in 2014 – 100 years from the date of the beginning of the First World War in Europe – I learn that Pete Seeger had an uncle among the soldier poets of that war.

His name was Alan Seeger.  Born in New York City in 1880, he went to Harvard University, graduating in 1910.  Already a poet at Harvard, he moved back to New York City adopting a bohemian lifestyle there before relocating to Paris.  When war was declared in 1914, he enlisted in the French Foreign Legion – 2e Régiment étranger (the United States not entering the war until 1917).

As a soldier of France, he was killed by German machine gun fire on July 4, 1916 at Belloy-en-Santerre  during the early days of the Battle of the Somme in 1916.  I’ve known perhaps his most famous poem for years and it was apparently also a favorite of President John F. Kennedy, “I Have  a Rendezvous with Death” but never made the connection to the author of “Where Have All the Flowers Gone” before now.


I Have a Rendezvous with Death

I have a rendezvous with Death
At some disputed barricade,
When Spring comes back with rustling shade
And apple-blossoms fill the air—
I have a rendezvous with Death
When Spring brings back blue days and fair.

It may be he shall take my hand
And lead me into his dark land
And close my eyes and quench my breath—
It may be I shall pass him still.
I have a rendezvous with Death
On some scarred slope of battered hill
When Spring comes round again this year
And the first meadow-flowers appear.

God knows ‘twere better to be deep
Pillowed in silk and scented down,
Where Love throbs out in blissful sleep,
Pulse nigh to pulse, and breath to breath,
Where hushed awakenings are dear:
But I’ve a rendezvous with Death
At midnight in some flaming town,
When Spring trips north again this year,
And I to my pledged word am true,
I shall not fail that rendezvous.


The Aisne (1914-1915)

We first saw fire on the tragic slopes
Where the flood-tide of France’s early gain,
Big with wrecked promise and abandoned hopes,
Broke in a surf of blood along the Aisne.

The charge the heroes left us, we assumed,
What, dying, they reconquered, we preserved,
In the chill trenches, harried, shelled, entombed,
Winter came down on us, but no man swerved.

Winter came down on us. The low clouds, torn
In the stark branches of the riven pines,
Blurred the white rockets that from dusk till morn
Traced the wide curve of the close-grappling lines.

In rain, and fog that on that withered hill
Froze before dawn, the lurking foe drew down;
Or light snows fell that made forlorner still
The ravaged country and the ruined town;

Or the long clouds would end.  Intensely fair,
The winter constellations blazing forth---
 Perseus, the Twin, Orion, the Great Bear—
Gleamed on our bayonets pointing to the north.

And the lone sentinel would start and soar
On wings of strong emotion as he knew
That kinship with the stars that only War
Is great enough to lift man’s spirits to.

And ever down the curving front, aglow
With the pale rockets’ intermittent light,
He heard, like distant thunder, grown and grow
The rumble of far battles in the night, --

Rumours, reverberant, indistinct, remote,
Borne from red fields whose martial names have won
The power to thrill like a far trumpet note,--
Vic, Vailly, Soupir, Hurtelise, Craonne…

Craonne, before thy cannon-swept plateau,
Where like sere leaves lay strewn September’s dead,
I found for all things I forfeited
A recompense I would not now forgo.

For that high fellowship was ours then
With those who, championing another’s good,
More than dull Peace or its poor votaries could,
Taught us the dignity of being men.

There we drained deeper the deep cup of life,
And on sublime summits came to learn,
After soft things, the terrible and stern,
After sweet Love, the majesty of Strife;

There we faced under those frowning heights
The blast that maims, the hurricane that kills;
There where the watch-lights on the winter hills
Flickered like balefire through inclement nights;

There where, firm links in the unyielding chain,
Where fell the long-planned blow and fell in vain—
Hearts worthy of the honour and the trail,
We helped to hold the lines along the Aisne.



Champagne, 1914-1915

In the glad revels, in the happy fetes,
  When cheeks are flushed, and glasses gilt and pearled
With the sweet wine of France that concentrates
  The sunshine and the beauty of the world,

Drink sometimes, you whose footsteps yet may tread
  The undisturbed, delightful paths of Earth,
To those whose blood, in pious duty shed,
  Hallows the soil where the same wine had birth.

Here, by devoted comrades laid away,
  Along our lines they slumber where they fell,
Besides the crater at the Ferme d’Alger
  And up the bloody slopes of La Pompelle,

And around the city whose cathedral towers
  The enemies of Beauty dared profane,
And in the mat of multicolored flowers
  That clothe the sunny chalk-fields of Champagne.

Under the little crosses where they rise
  The soldier rests.  Now round him undismayed
The cannon thunders, and at night he lies
  At peace beneath the eternal fusillade…

That other generations might possess—
  From shame and menace free in years to come—
A richer heritage of happiness,
  He marched to that heroic martyrdom.

Esteeming less the forfeit that he paid
  Than undishonored that his flag might float
Over the towers of liberty, he made
  His breast the bulwark and his blood the moat.

Obscurely sacrificed, his nameless tomb,
  Bare of the sculptor’s art, the poet’s lines,
Summer shall flush with poppy-fields in bloom,
  And Autumn yellow with maturing vines.

There the grape-pickers at their harvesting
  Shall lightly tread and load their wicker trays,
Blessing his memory as they toil and sing
  In the slant sunshine of October days…

I love to think that if my blood should be
  So privileged to sink where his has sunk,
I shall not pass from Earth entirely
  But when banquet rings, when healths are drunk,

And faces that the joys of living fill
  Glow radiant with laughter and good cheer,
In beaming cups some spark of me shall still
  Brim toward the lips that once I held so dear.

So shall one coveting no higher plane
  Than nature clothes in color and flesh and tone,
Even from the grave put forward to attain
  The dreams youth cherished and missed and might have known,

And that strong need that strove unsatisfied
  Toward earthly beauty in all forms it wore,
Not death itself shall utterly divide
  From the beloved shapes it thirsted for.

Alas, how many an adept for whose arms
  Life held delicious offerings perished here,
How many in the prime of all that charms,
  Crowned with all gifts that conquer and endear!

Honor them not so much with tears and flowers,
  But you with whom the sweet fulfillment lies,
Where in the anguish of atrocious hours
  Turned their last thoughts and closed their dying eyes,

Rather when music or bright gathering lays
  Its tender spell, and joy is uppermost,
Be mindful of the men they were, and raise
  Your glasses to them in one silent toast.

Drink to them—amorous of dear Earth as well,
  They asked no tribute lovelier than this—
And in the wine that ripened where they fell,
  Oh, frame your lips as though it were a kiss.

Champagne, France, July, 1915



Where Have All the Flowers Gone?

Pete Seeger (as performed by Peter, Paul, and Mary)

Where have all the flowers gone, long time passing?
Where have all the flowers gone, long time ago?
Where have all the flowers gone?
Young girls have picked them everyone.
Oh, when will they ever learn?
Oh, when will they ever learn?

Where have all the young girls gone, long time passing?
Where have all the young girls gone, long time ago?
Where have all the young girls gone?
Gone for husbands everyone.
Oh, when will they ever learn?
Oh, when will they ever learn?

Where have all the husbands gone, long time passing?
Where have all the husbands gone, long time ago?
Where have all the husbands gone?
Gone for soldiers everyone
Oh, when will they ever learn?
Oh, when will they ever learn?

Where have all the soldiers gone, long time passing?
Where have all the soldiers gone, long time ago?
Where have all the soldiers gone?
Gone to graveyards, everyone.
Oh, when will they ever learn?
Oh, when will they ever learn?

Where have all the graveyards gone, long time passing?
Where have all the graveyards gone, long time ago?
Where have all the graveyards gone?
Gone to flowers, everyone.
Oh, when will they ever learn?
Oh, when will they ever learn?

Where have all the flowers gone, long time passing?
Where have all the flowers gone, long time ago?
Where have all the flowers gone?
Young girls have picked them everyone.
Oh, when will they ever learn?
Oh, when will they ever learn?


Thanks, Peter – thank you for everything, Alan .

Saturday, July 7, 2012

'Twas a Famous Victory - and who won again?

Those of you interested in military history probably recall that the Battle of Waterloo was fought on June 18, 1815 and that we recently marked its 197th anniversary. Bet that you didn't know that it is also an example of how history is often retold differently by different sources (and if you want proof of that go visit my friends at The Napoleon Series).

The English politician and poet Winthrop Mackworth Praed wrote this version of the Battle of Waterloo presumably after one or more visits to France in the decades immediately following the battle!


WATERLOO


Ay, here such valorous deeds were done
  As ne’er were done before;
Ay, here the reddest wreath was won
  That ever Gallia wore;
Since Ariosto’s wondrous Knight
  Made all the Paynims dance,
There never dawned a day so bright
  As Waterloo’s on France.

The trumpet poured its deafening sound,
  Flags fluttered on the gale,
And cannons roared, and heads flew round
  As fast as summer hail;
The sabres flashed their light of fear,
  The steeds began to prance;
The English quaked from front to rear—
  They never quake in France!

The cuirassiers rode in and out
  As fierce as wolves and bears;
‘Twas grand to see them slash about
  Among the English squares!
And then the Polish Lancer came
  Careering with his lance;
No wonder Britain blushed for shame,
  And ran away from France!

The Duke of York was killed that day;
  The king was sadly scarred;
Lord Eldon, as he ran away,
  Was taken by the Guard;
Poor Wellington with fifty Blues
  Escaped by some strange chance;
Henceforth I think he’ll hardly choose
  To show himself in France.

So Buonaparte pitched his tent
  That night in Grosvenor Place,
And Ney rode straight to Parliament
  And broke the Speaker’s mace;
“Vive l’Empereur” was said and sung
  From Peebles to Penzance;
The Mayor and Alderman were hung’
  Which made folk laugh in France.

They pulled the Tower of London down,
  They burnt our wooden walls;
They brought the Pope himself to town,
  And lodged him in St. Paul’s;
And Gog and Magog rubbed their eyes,
  Awakening from a trance,
And grumbled out, in great surprise,
  “Oh, mercy! we’re in France!”

They sent a Regent to our Isle,
  The little King of Rome;
And squibs and crackers all the while
  Blazed in the Place Vendome;
And ever since, in arts and power,
  They’re making great advance;
They’ve had strong beer from that glad hour,
  And sea-coal fires, in France.

My uncle, Captain Flanigan,
  Who lost a leg in Spain,
Tells stories of a little man
  Who died at St. Helene;
But bless my heart, they can’t be true;
  I’m sure they’re all romance;
John Bull was beat at Waterloo!
  They’ll swear to that in France.

Winthrop Mackworth Praed
(1802-1839)